One of the ways I’ve managed myself as a sensitive human being is to write. I’ve worked as a professional writer for many years, and in quiet times, I also write in journals, in pixels and on scraps of paper. Writing allows me to relate to the world, to process some intriguing fragments that visit my short-term memory and to express the subtleties that are important for my own survival.
In my work, I am acutely aware of both the expansive communication and the limitations of written language.
I tried to capture this language polarity and the contrast of embodied life in this poem:
BLOOD AT BOYNTON CANYON
In silence, I hear words
calling themselves into lines,
each one her own world,
like a cooling night in the canyon
where a lone standpipe
remains proud yellow
and stationary in the wind.
I’ve known these lines for a long spell—
each a lifetime of momentary redemptions
one layered upon the last
in the race around my veins.
Meanwhile, cottonwoods
weep dry tears and want for rain.
Sun rays carry this evening’s birds
to me—once far away friends
who now need days to sip the water.
—Cathy Capozzoli